Tuesday, December 28, 2010

Celia Ghiloni

Celia Ghiloni was a J C Williamson stalwart during the early years of the 20th Century.

She was born in Victoria on Febrary 22nd 1879 the daughter of Italian immigrant Raffallo and his Australian born wife Isabelle. Celia's name at birth was Rosabelle Ethel Celia.

She spent her early years in Western Australia and was singing at the Fremantle Town Hall at the age of 18. A year later she was managing Sunday concerts at the Town Hall and steadily building a reputation as a talented singer and performer. She married a local man, in Perth in 1898.

Soon she was discovered byJ C Williamson and was off on an adventure that took her through Australia and New Zealand. She was rarely without work and was a fixture in Royal Comic Opera Productions between 1900 and 1908.

Perhaps her most memorable performances for Williamson were in a famous series of Gilbert and Sullivan productions which toured the country in 1905-1906.

In 1908, Celia went to London with a Hugh Ward Company which featured Grace Palotta. Whilst there, her husband divorced her. Celia had told him by letter that she preferred the stage to spending time with him.
The divorce didn't seem to bother Celia because on her way home to Australia later in 1908, she married a man she met in India. Upon her return to Australia, Celia and the Ward Company performed a long tour of Australia.

By 1911 she was back with Williamson and performing in musical comedy and revues. Later in the decade she performed at the Tivoli and with stars such as Dorothy Brunton and Jack Cannot in variety .

She was also quite active in the Actors Union movement, signing her name to an application to have an actor's association formed in the post war period.

Celia was a plump woman and tended to act in roles suited for her shape, such as the fairy godmother in pantomime and the jolly nurse in musical comedies. By 1911 she was sick of these roles and publicly trying to lose weight. At one stage she had the whole cast of her latest show on a diet and the newspapers joked that the famous stars were fading away to nothing.

Celia divorced her second husband after World War 1 and then married a third time in 1920.
After this she gave up the stage and settled into private life. The couple stayed together until 1950 when her husband died. Celia died in 1955 in Perth.

More about Celia

Friday, December 24, 2010

History of Australian Theatre at the ibookstore

I now have some titles available at the ibookstore, so if you are looking for some light reading.....

Houdini's Tour of Australia- A detailed account of Harry Houdini's tour of Australia in 1910.



Stars of Australian Theatre History


Australian theatre in the late 19th and early 20th centuries produced stars that shone nationally and internationally. Some of these stars were Maesmore Morris, dancers Saharet and Maggie Dickinson, pantomime dame, Arthur Stigant and American import Minnie Tittell Brune.






Stars of the Early Australian Stage- The Royal Comic Opera Company



The Royal Comic Opera Company was the most popular musical comedy company in Australia during the late 19th and early 20th centuries. The members of this company included George Lauri, Florence Young, Carrie Moore and Celia Ghiloni. Their stories are detailed here.











Pantomime in Australia-Pantomime in Australia reached its highest point during the Edwardian period. The people, the passion and the form combined to produce elaborate entertainment for early Australian audiences.


Magical Tours of Australia-Magicians regularly toured Australia during the late 19th and early 20th centuries, this booklet discusses the tours of Chung Ling Soo, The Davenport Brothers and a Maskelyne Company of 1908


.





A History of Some Australian Theatres-Australia was once home to some beautiful theatres. Her Majesty's in Sydney and the Tivoli in Melbourne being two of them. The performers and performances of a golden era are outlined here.



Great Performances from Australian Theatre History-A selection of essays about great performances in Australian Theatre History. These include accounts of Blondin, Cinquevalli, The Oliviers and Nellie Melba's tours of Australia.

A history of Australian Theatre from Convict theatre to Depression.-A short history of Australian theatre covering the early convict years to the depression.





You can look up the titles or just seach by my name- Leann Richards, free samples available.


-Leann


-

Saturday, December 18, 2010

Mrs Maesmore Morris

Actress Mrs Maesmore Morris was a renowned beauty who overcame domestic violence to have an international career.
She was born in England in 1872 as Gertrude Willmot the daughter of an doctor. Ten years later she arrived in Australia with her father and at the age of 20 she married Maesmore Morris, an accountant and son of a prosperous iron merchant.
After the birth of a son and the loss of his job, Maesmore turned to alcohol and subsequently became violent towards Gertrude.

The family had no means of support so Gertrrude, with her husband's permission, took to the stage.


She worked for J C Williamson and played with Julius Knight for two years, but this relief in the family finances did not calm her husband.Maesmore began threatening Gertrude's life and he made a scene at the theatre in 1897 yelling obscenities at her as she appeared on stage.

He threw her out of the family home and Gertrude went on tour with Knight, hoping to avoid her abusive husband.

In 1899 she was offered a contract with an English manager and eagerly left for London. She remained there for almost five years and returned to Australia to support Nellie Stewart in a series of plays in 1904.


In 1905 she finally divorced Maesmore, although throughout her theatrical career she had continued to use the name Mrs Maesmore Morris.

The next year she returned to England and remarried. She retired into private life and left a legacy as one of the most beautiful and bravest actresses to appear on the Australian stage.

She died in England in 1951

Sunday, November 14, 2010

Website updates

I have updated HAT-The History of Australian Theatre website at www.hat-archive.com

Included in the update are several extra photographs of performers, 200 extra names for the database and an article about Tom Dawson, Australian Comedian.

The article is one I wrote for Stage Whispers Magazine, the November/December issue is available in full colour at selected newsagencies or through their website. I write regularly for the magazine, and some of my articles are on the website.

For genealogists, my article about researching your Australian Theatrical ancestors is available through the Suite101 website. More articles about the history of Australian theatre are also available there.

Apologies for not updating the blog regularly. Life has been a bit busy.

Please enjoy the update of the website, whilst I look in my old trunk for some more anecdotes for the blog.

-Leann

Monday, November 1, 2010

The Greenwoods

In many cases, theatrical companies consisted of families who , desperate for financial security and having some talent, would form their own companies. One famous company in the late 19th and early 20th Centuries was the Greenwood family.


The Greenwoods were the wife and children of R C Greenwood of Auckland, New Zealand. There was Mrs Greenwood, her four daughters, Agatha, Nora, Maribel and Roberta and a young boy Bob.


The family was first mentioned around 1888 and the company travelled around Australia and New Zealand until about 1907 when their names seem to fade from the record.



Maribel was one of the older daughters, she worked for George Rignold in Australia in 1890 and was praised for her stately, charming presence. For a while, the company was known as the Maribel Greenwood company and traded off her fame. Maribel, had a lovely voice and played the violin very well.



Nora acted as the company's advance agent and was rarely mentioned in reviews of the company. They spent a great deal of time in country areas of Australia and Nora occasionally got into heated arguments with local business people about bills. In April 1903, she was brought to court by an Albury hotel owner for the non payment of accomodation fees. The hotel owner won the case. Nora must have been the level headed daughter for in 1902 when her mother's dress caught on fire, Nora was the one who put out the fire and saved her mother from harm.



Roberta, real name Ruby, was the youngest of the sisters. As a child, aged 9, she wrote a book about her early life which was illustrated by her sisters.This made her quite popular with the wife of the New South Wales Governor.

Roberta worked primarily for the family company although occasionally she worked for other managers. Around 1902 she married a fellow performer called Walter Andrew Baird who she met whilst working for another manager at the Standard Theatre in Sydney. Walter joined the family company and in 1903 Roberta gave birth to twins at Castlemaine in Victoria. Later that year Walter was killed in a tragic accident on the Chute, at Manly in New South Wales.

The company is rarely mentioned in newspapers after 1907, so it is difficult to say what happened to them. However, their story is one which shows that theatre was often a family enterprise.


Thursday, October 28, 2010

Cyril Maude

English actor/manager Cyril Maude toured Australia in 1917.

He was born in 1862. A fragile child, he was sent to Australia to regain his health. He returned to England without his health, but still nursing the ambition to be an actor. He fulfilled that ambition in Denver, USA. From that time his career grew and he soon was leasing London theatres as an actor/ manager.

Maude was a character actor, he believed in using observation then building up his characters from there. He was best known for his role as "Grumpy" a spoilt old man, who as a retired lawyer solved a crime to keep his loved ones happy. He took this play to Australia and toured Melbourne, Brisbane and Sydney with it. He was immensely popular here.


Cyril retired in 1924, but was convinced to return to Grumpy and performed the character on film. He appeared in other films as an elderly man and died in London in 1951.






Wednesday, October 27, 2010

Melbourne Theatres

I am from Sydney, so I don't know Melbourne very well. Fortunately I have a guide for the post today.

It's a book called Magical Nights at the Theatre by Charles Waller, a magician.
Actually it is a collection of Waller's accounts of vaudeville performances put together by Gerald Taylor. It's a rare book of 1000 copies, but it's a great reading and reference source.

In the first few pages of Magical Nights there is a map of Melbourne theatre locations.So thanks to Charles Waller and Gerald Taylor, here is some information about them.




Firstly, The Assembly Hall,located on Collins Street between Swanston and Russell.




Above is the Princess Theatre. Melbourne tends to preserve its buildings far better than Sydney and so the Princess Theatre can still be visited at Spring Street. It was here that J C Williamson ran his Melbourne business and it was here that 13 year old Carrie Moore auditioned for the great man. The black and white picture is dated 1908.




Her Majesty's Theatre on the corner of Exhibition and Little Bourke Streets. This was J C Williamson's other theatre. He leased it, renovated it and changed its name from the Alexandra. The Royal Comic Opera Company used this as their second home.




The Town Hall Melbourne. The Town Hall hosted some famous acts, including the amazing Davenport Brothers, the most famous spiritualists in the known world in 1876.




Finally a repeated photo to complete the set. The Opera House ( later the Tivoli) and Bijou Theatres in Bourke Street between Swanston and Russell Streets. As in Sydney where the Tivoli and National Amphitheatre were virtually neighbours, the two major popular theatres in Melbourne were also close together.



The people of Melbourne do not seem to be afflicted with the dreaded destoy and rebuild disease so prevalent in Sydney. I hope their immunity continues. Sydney, of course, remains the best city of Australia, despite her dreadful affliction.